The SR Leader class was a class of experimental 0-6-6-0articulated steam locomotive, produced to the design of the innovative engineer Oliver Bulleid. Intended as a replacement for the ageing fleet of M7 class, the Leader was an attempt to extend the life of steam traction on the Southern Railway by eliminating many of the operational drawbacks associated with existing steam locomotives. Design work began in 1946, and development continued after the nationalisation of the railways in 1948, under the auspices of British Railways. The Leader project was part of Bulleid's desire to modernise the steam locomotive based on experience gained with the Southern Railway's fleet of electric stock. The design incorporated many novel features, such as the use of thermic siphons, bogies, and cabs at either end of the locomotive, resulting in its unique appearance. Several of its innovations proved to be unsuccessful however, partly accounting for the project's cancellation in the early 1950s. Five Leader locomotives were begun, although only one was completed. Problems with the design, indifferent reports on performance, and political pressure surrounding spiralling development costs, led to all locomotives of the class being scrapped by 1951. (Full article...)
John Douglas (11 April 1830 – 23 May 1911) was an English architect who designed over 500 buildings in Cheshire, North Wales, and northwest England, in particular in the estate of Eaton Hall. He was trained in Lancaster and practised throughout his career from an office in Chester. Initially he ran the practice on his own, but from 1884 until two years before his death he worked in partnerships with two of his former assistants.
Douglas's output included new churches, restoring and renovating existing churches, church furnishings, new houses and alterations to existing houses, and a variety of other buildings, including shops, banks, offices, schools, memorials and public buildings. His architectural styles were eclectic. Douglas worked during the period of the Gothic Revival, and many of his works incorporate elements of the English Gothic style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Dutch architecture. However he is probably best remembered for his incorporation of vernacular elements in his buildings, in particular half-timbering, influenced by the black-and-white revival in Chester. Other vernacular elements he incorporated include tile-hanging, pargeting and the use of decorative brick in diapering and the design of tall chimney stacks. Of particular importance is Douglas's use of joinery and highly detailed wood carving.
Throughout his career he attracted commissions from wealthy landowners and industrialists, especially the Grosvenor family of Eaton Hall. Most of his works have survived, particularly his churches. The city of Chester contains a number of his structures, the most admired of which are his half-timbered black-and-white buildings and Eastgate Clock. The highest concentration of his work is found in the Eaton Hall estate and the surrounding villages of Eccleston, Aldford and Pulford. (Full article...)
Image 2King Edward's Chair in Westminster Abbey. A 13th-century wooden throne on which the British monarch sits when he or she is crowned at the coronation, swearing to uphold the law and the church. The monarchy is apolitical and impartial, with a largely symbolic role as head of state. (from Culture of the United Kingdom)
Image 3Welsh native Roald Dahl is frequently ranked the best children's author in British polls.
Image 5Music hall evolved into variety shows. First performed in 1912, the Royal Variety Performance was first held at the London Palladium (pictured) in 1941. Performed in front of members of the Royal Family, it is held annually in December and broadcast on television. (from Culture of the United Kingdom)
Image 14The Christmas Pantomime 1890. Pantomime plays a prominent role in British culture during the Christmas and New Year season. (from Culture of the United Kingdom)
Image 21The Beatles are the most commercially successful and critically acclaimed band in popular music, with estimated sales of over one billion.
Image 22William III and Mary II Presenting the Cap of Liberty to Europe, 1716, Sir James Thornhill. Enthroned in heaven with the Virtues behind them are the royals William and Mary who had taken the throne after the Glorious Revolution and signed the English Bill of Rights of 1689. William tramples on arbitrary power and hands the red cap of liberty to Europe where, unlike Britain, absolute monarchy stayed the normal form of power execution. Below William is the French king Louis XIV. (from Culture of the United Kingdom)
Image 36King Alfred the Great statue in Winchester, Hampshire. The 9th-century English king encouraged education in his kingdom, and proposed that primary education be taught in English, with those wishing to advance to holy orders to continue their studies in Latin. (from Culture of the United Kingdom)
Image 50The Notting Hill Carnival is Britain's biggest street festival. Led by members of the British African-Caribbean community, the annual carnival takes place in August and lasts three days. (from Culture of the United Kingdom)
Image 66Mo Farah is the most successful British track athlete in modern Olympic Games history, winning the 5000 m and 10,000 m events at two Olympic Games. (from Culture of the United Kingdom)
Image 70Emmeline Pankhurst. Named one of the 100 Most Important People of the 20th Century by Time, Pankhurst was a leading figure in the suffragette movement. (from Culture of the United Kingdom)
Image 75The Oxford Union debate chamber. Called the "world's most prestigious debating society", the Oxford Union has hosted leaders and celebrities. (from Culture of the United Kingdom)
A 'K6' model red telephone box outside of St Paul's Cathedral in London. These kiosks for a public telephone were designed by Sir Giles Gilbert Scott and painted "currant red" for easy visibility. Although such telephone boxes ceased production when the KX series was introduced in 1985, they remain a common sight in Britain and some of its colonies, and are considered a British cultural icon.
30 St Mary Axe, otherwise known as "The Gherkin" or the Swiss Re building, at 180 m (590 ft) is the 6th tallest in London, England. Designed by Foster and Partners, the architectural design of the tower contrasts sharply against more traditional buildings in London. Its design won the prestigious RIBAStirling Prize for the best new building by a RIBA architect in 2004 and the 2003 Emporis Skyscraper Award for the best skyscraper in the world completed that year. The building is visible from a long distance from Central London: from the north for instance, it can be seen on the M11 motorway some 32 km (20 mi) away.
The "Hampden" portrait of Elizabeth I of England was painted by the Flemish artist Steven van der Meulen in the mid to late 1560s. Art historian Sir Roy Strong has suggested that this is "one of a group produced in response to a crisis over the production of the royal image" as a number of old-fashioned and unflattering portraits of the queen were then in circulation. This is the earliest full-length (2 m or 7 ft tall) portrait of the young queen, and depicts her in red satin trimmed with pearls and jewels. It represents a phase in the portraiture of Elizabeth I before the emergence of allegorical images representing the iconography of the "Virgin Queen". In November 2007 it was auctioned by Sotheby's for ₤2.6 million, more than twice the maximum predicted.
Beachy Head is a chalk headland on the south coast of England, close to the town of Eastbourne in the county of East Sussex. The cliff there is the highest chalk sea cliff in Britain, rising to 162 m (530 ft) above sea level. The peak allows views of the south east coast from Dungeness to the east, to Selsey Bill in the west.
The western departures concourse of London King's Cross railway station as seen through a fisheye lens. This semi-circular concourse, designed by John McAslan, built by Vinci, and completed in March 2012, is designed to cater to much-increased passenger flows, and provide greater integration between the intercity, suburban and Underground sections of the station.
The Felbrigge Psalter, an illuminated manuscriptPsalter, is the oldest book from England to have an embroideredbookbinding. The needlework on this mid-thirteenth century manuscript probably dates from the early fourteenth century, which puts it more than a century earlier than the next oldest embroidered binding to have survived. Both the design and execution depicting the Annunciation are exceptionally high quality. The cover is made with linen and gold on linen with later leather binding edge.
Sir John Tenniel's illustration of the Caterpillar for Lewis Carroll's classic children's book, Alice's Adventures in Wonderland. The illustration is noted for its ambiguous central figure, which can be viewed as having either a human male's face with pointed nose and protruding lower lip or as the head end of an actual caterpillar, with the right three "true" legs visible. The small symbol in the lower left is composed of Tenniel's initials, which was how he signed most of his work for the book. The partially obscured word in the lower left-center is the last name of Edward Dalziel, the engraver of the piece.
Poster: Parliamentary Recruiting Committee; restoration: Adam Cuerden
A British recruitment poster from the First World War, featuring imagery of Saint George and the Dragon. Britain in the First World War fielded more than five million troops. Enrollment was initially voluntary, and in 1914 and 1915 the British military released numerous recruitment posters to attract troops. As the war progressed there were fewer volunteers to fill the ranks, and in 1916 the Military Service Act, which provided for the conscription of single men aged 18–41, was introduced. By the end of the war the law's scope had been extended to include older and married men.
An oil on canvas portrait of George IV of the United Kingdom as the Prince Regent, by Sir Thomas Lawrence. In 1814, Lord Stewart, who had been appointed ambassador in Vienna and was a previous client of Thomas Lawrence, wanted to commission a portrait by him of the Prince Regent. He arranged that Lawrence should be presented to the Prince Regent at a levée. Soon after, the Prince visited Lawrence at his studio in Russell Square. Lawrence wrote to his brother that: To crown this honour, [he] engag'd to sit to me at one today and after a successful sitting of two hours, has just left me and comes again tomorrow and the next day.
... that even though Australian citizens are no longer British subjects, they can still vote in elections and stand for parliament in the United Kingdom?
... that New Zealand composer Maewa Kaihau sold her rights to the song "Now is the Hour" for £10, a decade before it became a hit in the United Kingdom and United States?